## How could anyone break even this basic amateur encryption / encryption scheme?

First, how could anyone say that the lyrics
they make no sense and are not used for anything other than separating
the numbers?

It requires an intuitive jump. The cryptographer, when reviewing the data for patterns, will notice that there are certain numerical tuples that are repeated regardless of the alphabetic character. Once they break the frequency count to consider the numerical tuples separately from the characters, it becomes intuitively obvious that the characters are filled.

Also, if the encoder is selecting "random" the character to insert, it will not be random. He would need a computer to choose characters with something related to true randomness, and he already destroyed his computer in step 3.

And even if they did, what do the numbers mean?

Again, frequency counts. How often is each numerical tuple repeated? Make a graph. What language is most likely to be coded? English? Well, then assume that the most common tuple is a & # 39; t & # 39 ;. The second most common is a & # 39; or & # 39 ;. Decipher as if they were true and see if textual patterns arise. Don't you get patterns? Shake them and try & # 39; or & # 39; first and & # 39; t & # 39; second, is that better? Repeat the process until the clear text is agitated.

They have no way of knowing unless they have a copy of our sheet
that only exists in two copies in the world and was generated by a
Offline computer that is now physically destroyed.

No, it can be inferred from the encrypted text. Its system is essentially monoalphabetic encryption, one of the easiest to decrypt.

And, if to complicate everything further, we decided to write the
messages backwards? Or do any other search in reverse, so that
Are columns and rows exchanged every other character? With only one
few simple rules like that, it seems like never, never
decipher our messages, even with the most powerful computers in the
world.

You are still describing a replacement encryption, which are demonstrably fallible. You can try to read about the career of Elizebeth Friedman, who cracked codes like the one used by organized crime and the Germans in the 30s and 40s.

I'm probably making a fool of myself here, but seriously not
I understand how anyone, no matter how intelligent, with unlimited time,
I could break this encryption / encryption scheme that I just found
quickly without having any experience in the field.

That is such a common problem that we have a rule that describes it; Schneier's Law:

"Anyone, from the most clueless fan to the best cryptographer, can create an algorithm that he cannot break himself."

## Lens: Which team should take two very amateur photographers on a very short safari?

My girlfriend and I will go on a 3 day / 2 night safari in Kenya (Masai Mara). I am looking for an economical way to update our equipment in the best possible way. We know almost nothing about photography.

She has a Canon EOS Rebel Ti1, with only the standard lens (18-55 mm).
I have an iPhone and a broken Canon S95 (take photos, but most of the buttons do not work, so it is stuck in a lot of settings, without flash, for example, but you can zoom).

First for her and her SLR:

I guess we need some kind of zoom capabilities. I was looking at lenses like this 75-300 mm which at \$ 109 seems very cheap. I guess 300 mm will bring us close enough, but I am completely confused about things like EF versus EF-S, image stabilization (necessary?), Etc. I am also confused about why a seemingly identical lens can cost 5 times more. price. (That's one of my most important questions!) Would it be that lens?

I am also concerned that this is not versatile enough: does having this zoom lens all the time prevent you from taking photos of things that are closer to us? Or is 75 mm "close enough"?

For me:

I am considering buying something like the Canon SX510. From what I heard, it is very cheap because it will be horrible in low light. But it has a 30X zoom, and most of what we see will be during the day, and some of the reviews on Amazon say it's good in low light. Is there anything else I should consider? This (\$ 200) is the price range I am seeing. I hate big cameras and there is a good chance that I will never touch this again. If it does not fit comfortably in my pocket, I will never use it, so you must assume that this will be only for this trip (and maybe something similar that would happen once every few years). It could go significantly higher if there was something that had a serious zoom and was small.

That is a bit of history. I think I could summarize the question as "If I have a SLR camera with a 55mm lens, what is the best way to get TWO safari-worthy cameras for \$ 400 or less?"

## film: What is the difference between medium format and 35mm amateur photography?

There is quite a difference, really.

Negative size

The medium format is a somewhat comprehensive term. When talking about 35 mm (135 film), most of the time it is a camera that shoots a 36 mm x 24 mm frame. There have been specialized cameras that use the 135 format to shoot at other sizes, but plus 135 cameras shoot this fairly standard size frame.

The medium format, on the other hand, could be of the 6×4.5, 6×6 or 6×7 type. All film the 120 film, but produce images with a size of 56×41.5 mm, 56×56 mm and 56×67 mm, respectively.

I would say that these are the most common, although the film has been used in cameras that shoot up to 6×24!

Why size is important: the 35mm long side is 36mm. The 8×10 long side is 254 mm. To get to this, you have to double the size of the negatives 3 times apart (36 -> 72 -> 144 -> 288). Unlike the process of popping a digital image, where interpolation adds more pixels, popping a negative simply means spacing the granes over a larger area. At some point, the image simply crumbles. (The medium format, on the other hand, only has to jump a little more than twice (56 -> 112 -> 224).)

You may not think that a doubling in size will make a difference, but keep in mind that each duplication degrades the quality. The larger the format, the less duplication must be done to make a large print.

Camera size and resolution

Because 135 must explode so much, camera and lens designers have been forced to look for lenses with incredible resolution power. They really produce as much detail out of the world and in the movie as they can. Even so, there are limits to the amount of detail that can be resolved in the small space of table 135.

The medium format camera, which has to contain a larger negative, is obviously larger. The cameras type 120 of the rangefinder benefit from size due to the lack of mirror, the SLR types can be quite large compared to the 135 cameras.

But, because the negative is not need To exploit so much, the lenses do not have to pay so much tax to solve absolutely everything. Don't get me wrong, medium format lenses are excellent. But, optical designs can be a little simpler. (Take this to the extreme and look at the optical design of a lens designed for an 8×10 large format camera)

What is the difference, as an amateur, between using a medium format and a 35 mm camera (and the photos you get)?

As an amateur, the acquisition of equipment can be quite expensive. Some medium format items, due to the lack of market, are lowering their price a lot. The Pentax 645 system is especially cheap to obtain.

For me, because the biggest negative explodes less, some combos of films and developers are opened. For example, I don't think anyone in their right mind uses Delta3200 with Rodinal, but with a lower ISO (around 800) at 120, the grain structure, for me, becomes very nice.

Developing it is easier. It cannot be broken and the reel does not require scissors to cut the film. Simply unwind, remove the backing paper and load it.

You will get less frames per roll that has advantages and disadvantages. Some medium format cameras have the ability to exchange movie backups in the middle of the roll, which is a definite advantage for more than 135, in my opinion.

But, perhaps the biggest difference you would see is in the image quality of your enlarged prints. There is a difference in levels of 8×10 but the average format undoubtedly exceeds 135 above that. If you do not print larger than 4×6 or 5×7, you will not notice the difference.

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